It is now around two years since I reviewed a range of ukuleles made in Vietnam under the Bruce Wei label.
The original review is to be found here:
Bruce Wei Ukuleles - A Small Review
Over the intervening period, my ukulele playing has felt most comfortable on tenor sized ukes so these are the ones that have had the most use.
I have onsold to other ukulele lovers all other sized - soprano and concert ukes - that I have owned and I am left with just two Bruce Wei tenors.
This is one tenor that has really grown on me. It has an Indian rosewood body and a spruce soundboard together with a maple neck.
There were many online criticisms of Vietnamese and Taiwan-made instruments some years ago, based around some perceived lack of longevity in the construction. Specifically some users claimed that the glue joints were prone to cracking or some such.
I have never seen any evidence of this and as can be seen from these images, the instrument is still superb in its appearance. This uke has been played many times each week - at uke groups, workshops and concerts and it looks as good as it did when new.
Even the little details like the inlay, have not shown any signs of deterioration - something that happens on cheaper instruments over time.
As it has aged, and with playing, it has really matured in sound producing a "rounder" and warmer tone with some growth in volume and sustain.
My favourite instrument has grown to be the Bruce Wei 8 string tenor ukulele that I purchased around Xmas of 2012.
This one is made from solid mahogany - both body and soundboard - again with maple neck and a beautiful Indian Rosewood headstock.
Neither it nor the regular tenor came with bindings as part of the body, but I notice that some of the newer Bruce Wei instruments are now offering this feature.
The inlay details are as good as before and the finish superb.
Most importantly however, is the sound. This instrument is such a joy to play. No buzzing, perfect intonation and a wonderful depth of sound from those Aquila strings.
It came with a very busy fretboard inlay which at first I did not like for its complexity - I prefer simpler inlays - but now I don't notice it. It does attract a lot of comment from other ukers and audience members of course.
I thought that after some years these comparatively cheap (to buy) instruments would start to show some limitations and failings.
I could not have been more wrong.
These are high quality ukuleles built to an excellent standard.
They are sounding truly wonderful, and as a value for money instrument cannot be surpassed in my humble opinion.